Criticism
Art Criticism
“Elsewheres.” An essay on the art practices in Nigeria. Practice Space (2020).
“Measures of Power.” On 3 photographs depicting power and violence in 1970s Nigeria, in FESTAC ’77 (2019). Read online in the Mail and Guardian.
“The Exchanger.” On the work of Ibrahim Mahama, in Labour of Many. (2019)
“Beyond the Sea.” On Édouard Glissant and Lydia Cabrera. Art in America (2019)
“LagosPhoto.” On the acclaimed photo festival. Aperture (2017)
“Making Time.” Catalogue essay, Nigerian pavilion at the Venice Biennale (2017). PDF.
“The Promise of Mutability.” A statement on art criticism. Brooklyn Rail (2016)
“Malick Sidibé, Always.” A tribute on the death of the photographer. Okayafrica (2016)
“Shifting States.” An essay on photographs of Mohammadu Buhari, in Guernica (2015)
On Artists
“Lives of the Past: Annotations on Abraham Oghobase’s Constructed Realities,” in Living With Ghosts: A Reader (2022)
“Infinite Screens.” On Theo Eshetu. Aperture (2021)
“9 Primers: On Uche Okeke’s ‘Natural Synthesis’.” Brooklyn Rail (2021)
A conversation with Sir David Adjaye. Aperture (2020)
“Foreigners in a Foreign Land.” On Arguiñe Escandón and Yann Gross. Aperture (2019)
“The Work of Time.” On Victor Ehikhamenor. BOMB. (2018)
“Being With.” On ruby Onyinyechi amanze and Wura Natasha Ogunji. you are so loved and lovely (2019).
“Photographer of Bonny.” On Jonathan Adagogo Green. Art in America (2018)
In Conversation with François-Xavier Gbré. François-Xavier Gbré: The Past is a Foreign Country (2015). PDF.
“The Spiritual Photographs Khadija Saye Left Behind.” Hyperallergic (2017)
“The Wealth of Nations.” On Victor Ehikhamenor. Guernica (2016)
“The Self-Portraits of Samuel Fosso.” Guernica (2014)